Designer profile: Tender Cuts

A&E talks to student Emily Bryngelson about her juicily-named clothing line.
PHOTOS COURTESY EMILY BRYNGELSON
November 11, 2009

Each year, talented designers are busy stitching and draping away over at the St. Paul campus. Sometimes, all that hard work gets them noticed in a big way — take senior Emily Bryngelson , whose breezy, girly line of dresses and separates, called Tender Cuts, has recently been picked up by Lyndale boutique Cliché. Bryngelson chatted with A&E about her line’s intriguing moniker and its origins as well as her jaunts as a Twin Cities model.
What’s your background in design? Were you a seamstress as a little girl?
I think that’s the only thing I’ve ever been interested in. I can’t remember ever wanting to do anything else. I pretty much taught myself. I had a few classes in high school but I really did just make clothes and that’s how I learned.
What was the first piece you made?
It was probably a dress. I attempted to make dresses when I was younger but none really worked out [laughs].
Can you tell me a little bit about your design aesthetic pre- and post-Tender Cuts?
It’s a cross between sweet and edgy. I use a lot of casual fabrics; I don’t really work with silks or anything like that.
What inspires you?
A lot of stuff inspires me. It usually starts with people. For instance, my spring collection one is inspired by London. I have another collection I’m trying to do for April that’s going to be inspired by bugs. It’s kind of weird, but I’m trying to take it into an awesome direction; to turn fearful into inspirational.
What’s your design process?
It starts with my inspiration, then I go back and try to find things that connect. I just sketch like crazy … then I start draping stuff.
Where did the name Tender Cuts come from?
I was trying to think of a name that would describe my style but be a little “off” at first, so you’d have to think about it. The first thing I thought of was meat, but if I have this awesome logo with it, then it’s clever.
How long have you been selling Tender Cuts at Cliché?
I started [working] there in May [as an intern]. I got my clothes in probably two months ago. I love it there! I love [owners] Josh and Delayna and all the other designers there are really great. I got to work with them a lot and that showed me how much fun it is to be a designer at Cliché and in Minneapolis.
How do you feel about the local scene? Who are your favorite designers?
When I first moved to Minneapolis, I really loved Annie Larson; that’s the kind of style that I like. I also love Max Lohrbach. He has awesome ideas; they have crazy stories behind them. I was a part of Voltage for a few years as a model — I love Voltage, but I think this year I’m going to try to do my own show in April. I’m starting to plan it right now with a couple girls. I’ve been talking to Kathryn Sterner and a couple other girls at Cliché like Niki English and Amanda Chaffin. We’re trying to put together something cool.
How about worldwide fashion designers?
I have been definitely loving a lot of London designers lately like Topshop Unique and Luella Bartley.
What are your plans post-graduation in May?
Hopefully by then I’ll have my name out there. I’m going to stay in Minneapolis for a year or two and work out my style, then eventually get a job overseas or in New York and work there.
You said you modeled for Voltage. Are you still doing it?
I do for my friends. I think in the past I was a model because I wanted to be in the fashion industry. I loved being a part of it. [The first year, Bryngelson modeled for Ra’mon-Lawrence Coleman and in other years, she walked for Larson and Lorhbach, among others]. I didn’t really have an education then, but now that I do I’m all about the design aspect of it. I want to be the designer and have the models wear my stuff.

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