Twin Cities Polish Film Festival
Where: St. Anthony Main Theater, 115 SE Main St., Minneapolis
When: August 12-18
Cost: $8.50 General Admission, $5 members, $6 students/seniors
When many Americans think Poland, they often can’t help but think “sausage.” And while it’s hard to blame their minds for immediately shifting to that sweet, sweet tube of ground meat, the Central European country has much more to offer us. For example — as the Film Society of Minneapolis/St. Paul will show us this weekend — they have an awfully impressive film catalogue.
Polish film has a history as notable and sprawling as French and American. And the Polish Film Festival, which takes place in the gorgeous St. Anthony Main Theatre, boasts some of the choicest pieces of Polish film — ranging from the likes of Roman Polanski to Jan Jakub Kolski.
To make it easier on you, A&E made a short list of the films we recommend seeing during the week.
“The Fearless Vampire Killers” (1967)
Director: Roman Polanski
Showtime: Friday, August 12, and Thursday, August 18 at 7 p.m.
Born in Paris, but with full Polish blood, Roman Polanski is arguably the country’s most notorious director. “The Fearless Vampire Killers” is the auteur’s first color-photographed film. It fits under the comedy-horror genre, but provides more laughs than shrieks. Perhaps the most sinister element to the film is Sharon Tate’s involvement. After her brutal murder at the hands of the Manson family, there’s something eerie about watching a vampire stab his teeth in her neck.
“Fearless” is also the only film in the festival that won’t require you to read English subtitles or listen to a dub.
“Komeda: A Soundtrack for a Life”
Director: Claudia Buthenhoff-Duffy
Showtime: Friday, Aug. 12 at 5 p.m.; Sunday, Aug. 14 at 1 p.m.; Tuesday, Aug. 16 and Thursday, Aug. 18 at 9:15 p.m.
This is the perfect compliment to the Polanski films in the festival. “Komeda: A Soundtrack for a Life” is a film essay on Krzysztof Komeda, a jazz pianist and composer best known for arranging the scores for Polanski’s ’60s films like “Rosemary’s Baby,” “Cul-de-Sac,” “The Fearless Vampire Killers” and “Knife in the Water.” The latter two films are playing at the festival.
An accomplished jazz musician, Komeda aided in the creation of what is known as the Polish school of jazz in the ’50s and ’60s. He had a knack for transferring the emotions of film into music. The high-keyed creepiness in his lullaby for Roman Polanski’s “Rosemary’s Baby” has become synonymous with that legendary, spine-chilling image of the baby carriage silhouette on the smoky, jagged rock.
Polish Animation
Director: Various
Showtime: Saturday, Aug. 13at 1 p.m.; Wednesday, Aug. 17 and Thursday, Aug 18 atat 4:30 p.m.
With a festival full of intellectual grinders, a harmless (advertised as “family friendly”) collection of classic Polish animation could take a nice load off for the mind. But it won’t be a break from mental stimulation. Polish animation is widely considered some of the best and most influential in the genre.
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